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There was a touch of tragic to the heroines of those days. The norms of the society made the two roles distinct and heavy price had to be paid for reconciling artistic ambitions with personal satisfaction. Yet for Nargis and many other film heroines of her times, the artiste and the woman were at odds against each other. The documentary was tribute to both Nargis the artiste and Nargis the woman – the ideal wife and mother. The film was directed by Priya Dutt, the younger daughter of Nargis, and Sunil Dutt. Nargis nostalgia is such that viewers kept awake till late in the night recently to watch a documentary on the life and films of this prima donna of the forties. Rita, the ``Awara’’ girl had made her place in many a heart. Her death, by cancer, many years after she quit acting was mourned all over the country and abroad.
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She was the first Indian actress to receive the Urvashi award for acting. She rose to great heights and the cine-goers identified her as Mother India’’. Everyone is familiar with this story of how the ungainly duckling turned into the beautiful swan, Starting as a child star in her mother’s film, ``Talash-e-Haq’’, Baby Rani who was later renamed Nargis after a rare and beautiful flower Narcissur, dominated the screen for a decade and half and was called ``The First Lady at the Indian Screen’’. However, this thin, sleepy little girl was to become a legend. This is how the Urdu writer Sadat Hasan Manto recalled Nargis, who he saw at a couple of film premiers along with her mother Jaddanbal, a celebrated singer, looking at her, it seemed that either she had just got up from sleep of was falling asleep. A 10 or 11-year-old girl with a long unattractive face, spindly legs and dazed eyes clutching onto her mother’s hand.